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Inside
Outsiders
The “outsider” aesthetic has appealed
to groups of artists throughout
history. Charged by a desire to break free from the contrivances of
tradition these artists look to the bold energy and sincerity of the
“outside” for inspiration. But what happens when that
break from
tradition becomes a tradition in itself. Inside Outsiders
brings together
four very talented artists who participate in this ever growing trend.
Low brow materials, crass humor, and serious social issues mingle
with
Duchampian eloquence.
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Albert Reyes is a
young Chicano artist living in LA. His work mixes
traditional Mexican iconography with symbols of political dissent and
celebrity. With the use of a honed high school notebookesque drawing
style and his ubiquitous “GIVE” graffiti tag, albert poignantly
conveys
his message.
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Chris Kerr is a Chicago
based artist and graduate of the School of the Art
Institute. His depiction of man and nature is often times humorous,
sometimes disturbing, and always beautifully painted. Saturated pine
trees, bear blood, and pine cone men engage in surreal narratives atop
minimalist backdrops.
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Jon Read is an artist
and musician working in Houston Texas. He has many
creative endeavors including his solo music project "the Wiggins"
and an
affinity for making paintings. His fantasy world of mythical beasts and
dinosaurs created through the medium of paint display a raw comic book
aesthetic. Jon's work has a rich compositional opulence with saturated
colors and allegorical undertones informed by his past work making and
repairing religious art.
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Porous Walker is
an actor, writer, intellectual, artist, and all around
interesting character from San Francisco. He has a penchant for “found
objects” and a proclivity for correspondence art. His work is always
over
the top, filled with satiric energy and a deep interest in the absurd. He
is best known for his prolific output of drawings filled with crude humor,
political commentary, and sexual innuendoes that will leave you un-satiated
no matter how many you see.
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